IZMIR ICKBAL

Gloucester Stage Company

Written by Noel Coward

Directed by Diego Arciniegas

Scenic by Izmir Ickbal

Costume by Nia Banks

Lighting by Anshu Bhatia

Sound by Eric Hamel

The People’s Theatre Project @ Pregones PRTT Theater

Written by Christin Cato

Directed by Mino Lora and Chuk Obasi

Scenic and Projections by Izmir Ickbal

Costume by Rodrigo Hernandez

Lighting by Xiao Xiangfu

Sound by Jimmy O’Connor

By Edward Albee

ALLEY THEATER (HOUSTON TX)

Director Nathan Winkelstein

Scenic Designer Kevin Rigdon

Costume Designer Nicole Wee

Lighting Designer Izmir Ickbal

Sound Designer Sharath Patel

Sala Sinfónica | Auditorio De Tenerife, Spain | 2022

Musical Direction: Pedro Halffter

Director: Chía Patiño

Scenic: Izmir Ickbal

Costume: Felype De Lima

Lighting: Erin Fleming

Puppet Designer and direction: Alejandra Prieto

59E59 Theaters | 2022

Written and Performed by Victor Almanzar

Directed by Liz Canavan

Scenic and Projections by Izmir Ickbal

Lighting by Kia Rogers

Sound by Twi McCallum

Shubert Theater | Yale Opera | 2020

Director: Candace Evans

Scenic: Izmir Ickbal

Costume: Rebecca Welles

Lighting: Carolina Ortiz

Projections: Brittany Bland

The Tank NYC | Inversion Theater | 2019

Director: William Steinberger

Scenic: Izmir Ickbal

Costume: Barbara Delo

Lighting: Bailey Costa

Sound: Brian Hickey

Aaron Davis Hall | Classical Theater of Harlem | 2019

Director: Carl Cofield

Scenic: Izmir Ickbal

Costume: Lex Liang/ Margaret Goldrainer

Lighting: Alan Edwards

Sound: Kathy Ruvuna

Projections: Maxwell Golden

Fault Line Theater | 59E59 Theaters | 2020

By Liba Vaynberg

Director: Geordie Broadwater

Set: Me

Lighting: Cha See

Sound: Fan Zhang

“Izmir Ickbal’s set is simple, yet effective. Tree branches make up the fantasy world, where scrims allow the past and the present to combine. The set is inventive for a playing space the size of a postage stamp. “ — Times Square Chronicles

“Beyond wonderful performances, this is a production that also looks great. The minimalist set of cylinders and blocks in browns and beiges, designed by Izmir Ickbal and with a few branches set high up the only naturalistic touch, serves equally well as a forest, bar, or apartment; the scrim at the back of the stage is used to excellent effect…” — Thinking Theater NYC

Edgerton Park | Elm Shakespeare Company | 2019

Director: Rebecca Goodheart

Scenic: Izmir Ickbal

Costume: Rebecca Welles

Lighting: Jamie Burnett

Sound: James McLoughlin

 *Photos by: Mike Franzman

Boston Center for the Arts | Company One Theater | 2019

Director: Michelle Aguillon

Scenic & Projections: Izmir Ickbal

Costume: Deb Sivigny

Lighting: Jen Fok

Sound: Aubrey Dube

Music Director: Kadahj Bennett

Choreography: Misha Shields

Dramaturgy: Jessie Baxter, Jess Malone

Edgerton Park | Elm Shakespeare Company | 2018

Director: Rebecca Goodheart

Choreography: Kaia Monroe

Scenic: Izmir Ickbal

Costume: Elivia Bovenzi

Lighting: Jamie Burnett

Sound: Mike Skinner

 *Photos by: Mike Franzman

“The set, is redolent of the best Jazz Age party you wish you could have gone to, complete with a pavilion of lights that by rights should be a permanent installation in Edgerton Park”. —- Brian Slattery, New Haven Independent

“There are smart and witty conceits throughout, from Izmir Ickbal’s handsome set which well-defines the busy landscape to clever comic inventions, including an Elizabethan rap and a wild Russian dance”. —- Frank Rizzo, Hartford Courant

Alfred University | CD Smith Theater | 2018

By: Noël Coward

Director: Eliza Beckwith

Scenic and Lighting: Izmir Ickbal

Costume: Sophia Weiss, Debra McCrae

Sound & Tech. Director: Zachary Hamm

National Black Theater | 2018

Written By: Derek McPhatter

Director: Mary Hodges

Scenic and Lighting: Izmir Ickbal

Sound: Emily Auciello

Projections: Lianne Arnold

Center Theater Group | Los Angeles | 2019

Theater For A New Audience | New York City | 2017

Yale Repertory Theater | New Haven CT | 2016

Director: James Bundy

Scenic Designer: Izmir Ickbal

Costume Designer: Alexae Visel

Sound Designer: Kate Marvin

"Izmir Ickbal’s gloriously artificial scenic design, which includes a gorgeous expanse of blue sky and dying trees dotting the horizon, is everything Beckett could have imagined. " -- Post-Chronicle

"...the red velvet curtain and old-fashioned scallop-shell footlights lend an antique charm that frames it too quaintly. " -- The New York Times

"Though entirely isolated in “Happy Days,” Winnie is never alone. She shares her vast mound of dirt (magnificently realized in Izmir Ickbal’s scenic design) with Willie." -- New Haven Register

CD Smith III Theater | Alfred University | 2017

Playwright: Sarah Ruhl

Director: Stephen Crosby

Scenic and Lighting: Izmir Ickbal

Costumes: Meredith Prato

Sound: Fan Zhang

Site Specific Protest/Parade/Performance | 125th Street in NYC | 2019

Writer/Choreographer/Director: Ebony Golden

Scenography: Izmir Ickbal

Composer: Alphonso Horne

Props: Belynda Hardin

Dramaturgy: Nina Angela Mercer

The Esplanade Theatres (Studios: Fifty) | 2015

Playwright: Tan Tarn How

Director: Zizi Azah

Set Designer: Wong Chee Wai

Costume Designer: Izmir Ickbal

Lighting Designer: Andy Lim

Sound Designer: Anaiz Abdul Majid